{"id":3556,"date":[],"date_gmt":"2021-07-30T21:25:48","guid":{"rendered":"https:\/\/dev.lasemaineduson.be\/event\/the-music-i-make-concert\/"},"modified":"2023-11-14T14:27:11","modified_gmt":"2023-11-14T13:27:11","slug":"the-music-i-make-concert","status":"publish","type":"event","link":"https:\/\/www.lasemaineduson.be\/en\/event\/the-music-i-make-concert\/","title":{"rendered":"THE MUSIC I MAKE &#8211; CONCERT"},"content":{"rendered":"<p><em><strong>The Music I Make<\/strong><\/em><\/p>\n<p><span style=\"font-weight: 400;\">Des compositeurs de musique acousmatique bien accompagn\u00e9s s\u2019aventurent hors de leur champ d\u2019origine vers du \u00ab live electronics \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Il y a la musique \u00e9lectronique que le public aime. Celle que nos amis (musiciens ou non) aiment. Celle que nous aimons nous-m\u00eames. Et puis il y a celle que nous faisons, sans volont\u00e9 de se situer ou de se vendre. Juste parce que c\u2019est nous. Un peu laptop ou un peu guitare, tr\u00e8s haut-parleurs, mais surtout tr\u00e8s ax\u00e9e sur le son. Avec potards ou curseurs, \u00e9lectronique mais pas tr\u00e8s synth\u00e9tique, savante mais pas acad\u00e9mique.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Au-del\u00e0, le point commun des musiques pr\u00e9sent\u00e9es est d\u2019\u00e9maner d\u2019artistes form\u00e9s d\u2019abord \u00e0 l\u2019art de la composition acousmatique, dans laquelle le d\u00e9roulement temporel est totalement d\u00e9termin\u00e9 pr\u00e9alablement au concert. Ici, il s\u2019agit au contraire de musiques \u00ab live \u00bb, pas tout \u00e0 fait ou pas du tout \u00e9crites pr\u00e9alablement. Reste une sensibilit\u00e9, un univers sonore et un savoir-faire qui a certainement quelque chose \u00e0 voir avec la pratique acousmatique de ces musiciens, mais pour des destin\u00e9es autres. Et chacun.e avec sa sensibilit\u00e9, quelque part entre m\u00e9ditations contemplatives et \u00e9clats sonores.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Rapha\u00ebl Vens<\/strong> interpr\u00e8te <\/span><i><span style=\"font-weight: 400;\">Chants aphasiques<\/span><\/i><span style=\"font-weight: 400;\">, une musique bas\u00e9e sur la collecte de voix via une installation interactive. De son c\u00f4t\u00e9, <strong>Caroline Profanter<\/strong>, dans <\/span><i><span style=\"font-weight: 400;\">Kobaltblau<\/span><\/i><span style=\"font-weight: 400;\">, conduit l\u2019auditeur dans un labyrinthe d\u2019un spectre sonore dense, sur le seuil perceptif de ce qui nous est familier, oscillant entre les paysages sonores urbains et naturels, en constante mutation vers l\u2019hybridation. <strong>No\u00e9 Voisard<\/strong> propose <\/span><i><span style=\"font-weight: 400;\">Rouges-Terres<\/span><\/i><span style=\"font-weight: 400;\">, une errance paisible qui invite \u00e0 une \u00e9coute pos\u00e9e, un moment de respiration, pour devenir paysage ou po\u00e8me. Enfin, Tympoca\u00efne 200 (<strong>Roald Baudoux<\/strong>, <strong>Hugues Peeters<\/strong>) cr\u00e9e quelques improvisations libres sur son dispositif tr\u00e8s tactile.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Une sorte d\u2019\u00e9tat des lieux de quelques artistes vivant en Wallonie ou Bruxelles aujourd\u2019hui.<\/span><\/p>\n<p><iframe title=\"ROALD BAUDOUX \ud835\udddf\ud835\uddee \ud835\udde6\ud835\uddf2\ud835\uddfa\ud835\uddee\ud835\uddf6\ud835\uddfb\ud835\uddf2 \ud835\uddf1\ud835\ude02 \ud835\udde6\ud835\uddfc\ud835\uddfb \/ \ud835\uddd7\ud835\uddf2 \ud835\ude04\ud835\uddf2\ud835\uddf2\ud835\uddf8 \ud835\udde9\ud835\uddee\ud835\uddfb \ud835\uddf1\ud835\uddf2 \ud835\uddde\ud835\uddf9\ud835\uddee\ud835\uddfb\ud835\uddf8 \ud835\udfee\ud835\udfec\ud835\udfee\ud835\udfed\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/TgFfavzLDbc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":1740,"template":"","meta":{"_acf_changed":false,"footnotes":""},"lieu":[941],"region":[],"event_type":[],"edition":[7],"class_list":["post-3556","event","type-event","status-publish","has-post-thumbnail","hentry","lieu-auditorium-abel-dubois","edition-7"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/event\/3556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/types\/event"}],"author":[{"embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":1,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/event\/3556\/revisions"}],"predecessor-version":[{"id":5482,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/event\/3556\/revisions\/5482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/media\/1740"}],"wp:attachment":[{"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/media?parent=3556"}],"wp:term":[{"taxonomy":"date","embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/date?post=3556"},{"taxonomy":"lieu","embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/lieu?post=3556"},{"taxonomy":"region","embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/region?post=3556"},{"taxonomy":"event_type","embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/event_type?post=3556"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/www.lasemaineduson.be\/en\/wp-json\/wp\/v2\/edition?post=3556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}