Soundvoice concert : Symphony play-along, revisited

Reservations can be made from January 6th

As part of his Soundvoice research, Lieven Martens will present an interactive sound installation, The Soundscape Generator, at Het Bos on February 4th. He will also accompany two listening walks through Antwerp and give a brief presentation of his research to the public. To finish the evening, he has invited composer Heleen Van Haegenborgh for a concert.

~

Symphony play-along, revisited

This concert is a spin-off of Symphony for one hundred citizens and a traffic light, a large-scale symphony of everyday urban sounds composed by Heleen Van Haegenborgh together with/and based on an idea by artist Thomas Verstraeten. One hundred city residents from all corners of Antwerp each played their own “instrument”. On stage there were no violins, woodwinds or percussion instruments, but cars with growling engines, a sunny terrace with clinking glasses, barking dogs, a wheeled suitcase sliding over cobblestones, a singing street guitarist, a road worker with a jackhammer, a clock striking 12, birds chirping, etc.  

To inaugurate the soundscape generator installation, Heleen Van Haegenborgh is bringing this work back to life in an adapted version. She is working with the recordings of the premiere at De Singel and adding synths and electronics. She will be accompanied live by Saori Miraku, whom she met through Musarc, a London choir with which Heleen has been working closely for years. Saori is classically trained and active in the London improvisation scene as a pianist, composer, improviser and performer. 

 

***

 

Heleen Van Haegenborgh start­ed her career as a pianist, spe­cialised in con­tem­po­rary music and extend­ed tech­niques. Over the last years, she’s very active as a com­pos­er with com­mis­sions in the fields of con­tem­po­rary music, old music, the­ater, visu­al arts and jazz. In Belgium, she worked close­ly togeth­er and made sev­er­al records with visu­al artists and musi­cians with oth­er back­grounds: jazz, elec­tron­ics, Japanese music, free jazz,…She is seen as a musi­cian who con­nects the cir­cuits of con­tem­po­rary clas­si­cal music, free impro and exper­i­men­tal underground. 

Heleen Van Haegenborgh stud­ied com­po­si­tion at the Royal Conservatory of Brussels with Peter Swinnen, piano in Ghent with Daan Vandewalle and her music appeared on the labels Entr’acte, El Negocito Records, SNvariation, W.E.R.F. Records, Logos  and Het Balanseer. She recently released 2 records: Affordances for choir and instru­ments was released in June 2025 (SNVariations) and High Carbon for piano and elec­tron­ics in October 2025 (W.E.R.F. Records). In December a large sym­phonie of city sounds will be pre­miered in De Singel with the­atre direc­tor Thomas Verstraeten.