Late Bush presents a repertoire in which he blends electronic music (power ambient, IDM, hyperpop) and early music, both of which share the same emotional intensity, taste for ornamentation and a form of sonic excess.
At the heart of the material, AI-cloned voices —both human and spectral— extend the idea that all baroque interpretation is a reconstruction of the unknown: a sensitive echo. These sounds contrast with the organic strings of Écho Collective in a radical temporal hybridisation, creating fluid and unstable material, somewhere between memory and simulation.
This exclusive concert, an immersive solo performance, will explore spatialisation and the acoustics of the venue.
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Pierre Dozin, alias Late Bush, has been composing electronic, experimental and film music for over twenty years. His new album Hoarses will be released in March 2026 on the Brussels label VLEK Records. Late Bush will participate in the 2026 Venice Biennale for the project by artist Aline Bouvy. Also a renowned sound engineer, he has collaborated with Mute, Ninja Tune, Deutsche Grammophon and !K7. His research explores the links between electronic music, early music, spatialisation and contemporary technologies.